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 Reviewed by: The Rev 14th Sep 2006 
 


The Lord and the General Din of the World

Julie Mead


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I have some years where every book of poetry I touch turns out to be a hideous, steaming pot of dirt soup that should never have been published, and I have some years where every time I crack the cover on a volume by an author I've never read before, I discover pure gold. 2006 is rapidly turning into one of the latter years; I discovered the brilliance of David Berman last month, and now I happen upon Julie Mead's debut collection, The Lord and the General Din of the World.

I'll warn you flat out-- this is not a happy book. In fact, it's one of the most relentlessly downbeat books I've had the pleasure of happening across since Final Exit, Derek Humphry's masterpiece on ways to off oneself. And it's the kind of poetry that, in general, causes those who are not used to reading poetry to cringe. Allusions and symbols and subtext, oh my! But still, while angst-poetry is as common as salt in the Adriatic, Mead's stuff never comes off as simple angst-poetry; as one wag said many years ago of the first Death in June album (paraphrased, unfortunately, by yours truly, who doesn't have the quote to hand), Mead's work is equipped with a grim humour capable of slaughtering a thousand renegade Bunnymen:

"The blue smoke turns to water
in my lungs. Gale brings out
the pornographic comics she's working on,
in which her history teacher
meets an embarrassing end.
The teacher's kidnapped-- ransom set.
Nobody pays. The ransom is reduced
and reduced again. It would be awful--
ransom demanded and nobody
so much as notices. We laugh."
(--"On the Lawn at the Drug Rehab Center")

Her subject matter doesn't usually differ from the sort of thing one finds on repositories (which shall here remain blessedly nameless as so not to give them even more exposure) of such angst: there's drug rehab (as mentioned above), recovery, and, of course, the reason we went there in the first place; there is death, usually somewhat messy; there is somber contemplation of the landscape, even. But it is Mead's sense of craft that makes it all work so well, and it does all work so well. This is excellent work, and deserves to be widely read.