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| Reviewed by: Ian D. | 25th Jan 2003 | |
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Magician's Law: Tales of the BardMichael Scott |
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Michael Scott is an Irish author whose fantasy fiction is steeped in Celtic sensibilities, and this one is a perfect example. The first in a trilogy telling the story of Paedar the Bard, a legendary hook handed teller of stories. The novel is set in a mythical past where reality is defined by its legends, and where the most sacred individuals are those who carry the stories from place to place. It begins with a meeting in the woods, between Paedar and one of the old gods, Mannam, Lord of the Dead. He agrees to go on a quest in return for a rare Harp, but is manipulated into something altogether different. Paedar finds himself a representative of the old religion, traveling and telling stories to help keep the old gods alive. It is a world where gods are defined by their believers, and just as a god can be born from belief, so can one die from the lack of it. Through the stories he tells he gathers those of the old faith to him, renewing their beliefs, becoming a thorn in the side of the representatives of a new religion who are trying to suppress the old. Many of the parables he tells are included within the narrative, interlaced with the main story, though less so as the story progresses. The narrative gets gradually darker as the truth behind the new religion is exposed, and shifts into the more conventional quest style, with Paedar and a small group of companions attempting to save the world from dissolution. It is reminiscent of the Moorcock school of fantasy, with a strong sense of the influence of mythology, managing to remain fresh and compelling. Paedar is an interesting character, raised to a state caught somewhere between man and godhood, distant and aloof at first but gradually rediscovering his humanity.
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See also | ||
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| Elric of Melnibone by Michael Moorcock reviewed by The Rev | ||
| Firing the Cathedral by Michael Moorcock reviewed by Ian D. | ||
| Kane of Old Mars by Michael Moorcock reviewed by The Rev | ||
| King of the City by Michael Moorcock reviewed by Ian D. | ||
| London Bone by Michael Moorcock reviewed by Ian D. | ||
| Stormbringer by Michael Moorcock reviewed by The Rev | ||
| The Bane of the Black Sword by Michael Moorcock reviewed by The Rev | ||
| The Blood Red Game by Michael Moorcock reviewed by The Rev | ||
| The Champion of Garathorm by Michael Moorcock reviewed by The Rev | ||
| The Chronicles of Corum by Michael Moorcock reviewed by The Rev | ||
| The Dreamthief's Daughter by Michael Moorcock reviewed by Ian D. | ||
| The Ice Schooner by Michael Moorcock reviewed by The Rev | ||
| The Jewel in the Skull by Michael Moorcock reviewed by The Rev | ||
| The Mad God's Amulet by Michael Moorcock reviewed by The Rev | ||
| The Quest for Tanelorn by Michael Moorcock reviewed by The Rev | ||
| The Runestaff by Michael Moorcock reviewed by The Rev | ||
| The Sailor on the Seas of Fate by Michael Moorcock reviewed by The Rev | ||
| The Skrayling Tree by Michael Moorcock reviewed by Ian D. | ||
| The Sword of the Dawn by Michael Moorcock reviewed by The Rev | ||
| The Swords Trilogy by Michael Moorcock reviewed by The Rev | ||
| The Vanishing Tower by Michael Moorcock reviewed by The Rev | ||
| The War Hound and the World's Pain by Michael Moorcock reviewed by Ee Lin | ||
| The Weird of the White Wolf by Michael Moorcock reviewed by The Rev | ||
| Wizardry and Wild Romance by Michael Moorcock reviewed by The Rev | ||